First Cup of Coffee – November 9, 2021

First Cup of Coffee with Jeffe Kennedy

First Cup of Coffee - November 9, 2021

November 09, 2021

Jeffe Kennedy

Why I equate "subverting tropes" with someone being an asshole, getting knocked off my pillow and getting back on again, having a book on a List, and a goodbye to Jim Fiscus, longtime SFWA volunteer.

You can find the Book Riot article I mention here (https://bookriot.com/best-enemies-to-lovers-fantasy-books/).

You can order DARK WIZARD here (https://jeffekennedy.com/dark-wizard) and preorder FIRE OF THE FROST here (https://jeffekennedy.com/fire-of-the-frost).

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What Would You Write If You Weren’t Afraid?

I’m working away on my novella for the FIRE OF THE FROST midwinter holiday fantasy romance anthology! The story takes place in the Bonds of Magic world more or less at the same time as the events in DARK WIZARD. You can preorder now for the December 2 release!

    

Also, this is really cool! THE ORCHID THRONE is on this amazing Book Riot list: 20 OF THE BEST ENEMIES-TO-LOVERS FANTASY BOOKS. Fair warning! This list might have you click-buying. It sure did for me.

At the SFF Seven this week we’re talking censorship. Charissa and KAK already provided excellent discussions of the difference between censorship and blocking disinformation and hate. So, I’m going to take the topic in a slightly different direction, which is looking at the ways we censor ourselves.

A perennial problem for writers – perhaps for all creatives – is getting rid of the other voices in our heads. Something new authors often seem to ask is how to write about topics their families consider off limits for one reason or another. They can be concerned about dealing with sexual topics or gender-related ones, politics, family secrets, etc. It’s not easy to free ourselves to write when there’s that persistent worry that someone we love will read it and be angry. And so we censor ourselves, sometimes consciously, sometimes unconsciously.

On a larger scale, we live in an era of loud voices. In an attention economy, where businesses thrive or fail based on clicks, the loudest, most persistent voices can be the most lucrative. This kind of environment isn’t conducive to the silence creatives need in order to coax new art into being. Those loud voices can drown out the quiet whispers of something fragile and newly born to the world. The voices can also leak into our thoughts and dictate what we should and shouldn’t write. Thus we censor ourselves, killing those new sprouts before we even have time to discover what they are.

What’s the solution? There are no easy answers. I can offer that I have a poster hanging over my desk, one I made myself. It says:

What would you write if you weren’t afraid?

I look at it often when I hesitate, when voices leak into my head, when I start worrying about the final story and how it will be received. It keeps me going.

Write through the fear. You can always edit later.