RITA ® Award-Winning Author of Fantasy Romance
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I’m just popping in for a quick Thursday post to update on World Fantasy Con 2012.
I’m calling yesterday Day Zero because I mainly traveled, got here late and ate dinner. BUT, I did hit the early registration at 9:30 pm and got the Enormous Tote Bag of books. Yowsa!
And the Carina Press spec fic authors’ page in the program looks fab indeed. That’s the inside front cover – very nice placement.
Events start at 2pm today, so hopefully there will be more missives!
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A big shout out today to long-time writer buddy Allison Pang for the release today of the third book in her Abby Sinclair series, A Trace of Moonlight. Makes me all nostalgic because it seems like just a short time ago that I was reading the first chapters of what became the first book, A Brush of Darkness, and giving her feedback.
Also, Carolyn Crane’s Mr. Real is out today! You read all about her cover trials before here.
I know a lot of you are heading into NaNoWriMo, the national novel-writing month, where people attempt to write 50,000 words in November. I don’t really like to do NaNoWriMo, because I find I’m happier if I can create and sustain a more regular writing schedule than a big one-month push. But a lot of people love it – especially the camaraderie and feeling like part of a team.
Me? I love my spreadsheets. And, because I’m sometimes asked, I decided to share a whittled-down version of my Progress Count spreadsheet. (I hope the sharing works – I *think* I uploaded it correctly.) Here it is:
Jeffe Kennedy Progress Count template
I say this is whittled down because my actual workbook has 15 tabs, with various works in progress. So, for template’s sake, I included just Rogue’s Possession, which I just finished drafting, and Ruby, which is underway.
On the first tab, the Overall page, is where I track all the words I do for each week. I recently decided to start tracking by month and year, too, just for grins. However, I just added that last week, so the October count is likely a little short. But it’s a close estimate. The Overall tab also adds in my blog post writing for each day, which I think totally counts. My minimum effort for any week is 7,000 words.
Ruby is the next tab because that’s the one actively underway. I pretty much only work on one thing at a time – unless a deadline interferes. For example, if my editor sends me edits and says “can I have these back by Tuesday?” or if Agent Pam says “they’d like to see a sample chapter.” And yes, in those cases, I absolutely move that book’s tab into the space of honor.
That’s just how I roll.
Ruby’s tab is still set for yesterday, because I haven’t dug in for today’s wordcount.Rogue’s Possession is empty because it’s done for now.
But feel free to play with this. I have lots of formulas and conditional formatting, because I love to see things turn green. Ask me questions here, if you like, and I’ll try to explain my reasoning.
Happy Word Counts!
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I’m over at Word Whores today talking about how to write in new ways about old things – like rotting reanimated corpses.
And if you need a palate-cleanser after all that talk of death and would like to taste the opposite side of the coin, I’m participating in a fun little sale of erotic books. Sister Word Whore Carolyn Crane is also playing. You can check it out here.
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So, the big news is, I officially finished the draft of RP2, now officially dubbed “Rogue’s Possession.”
Exciting, yes – but the above pic truly encapsulates how we celebrate around here. Ahhh….
It’s so interesting to me how creativity works. We often talk about it like it’s a well, where the water flows at a certain rate, can be drawn down, needs time to replenish, and – horror of horrors – could maybe run dry. But I wonder if this is really an accurate metaphor? After all, creativity is a kind of energy, but it’s not subject to the physical laws of the universe. It almost belongs to the spiritual realm. My physical body might tire – the brain that translates the story, the hands that type it – but it seems to me the creativity itself should be endless.
Yet, it never feels that way.
Here it is, October 26, and I haven’t put up my Halloween decorations. I *love* Halloween. I have two great big bins of decorations sitting in the garage. I’d thought maybe I’d put them up last weekend, but I spent my time writing 10,000 words on Rogue’s Possession.
I know that’s not my usual thing, but I was experimenting. David was out of town for the weekend and I really wanted to finish Possession so I can get started on Ruby (book 3 in Facets of Passion) which is due to fabulous editor Deb at the end of November. So, I tried writing five 60-minute blocks each day. In between, I walked the dog, cooked meals, did dishes, that sort of thing.
Did not put up decorations.
It just felt like too much. Though it would have taken very little time, really.
And I did it! I wrote a little over 5K each day, did not feel exhausted and it let me finish the book early. The ending can be like that for me – I just have to keep going with it, because if I stop, I can lose the threads. Somehow, though, that extra bit of tangential creativity, putting up some decorations, seemed absolutely impossible.
I’ve done this at other times in my life, when things going on just absorbed so much of my personal energy that other stuff just had to be dropped, totally and completely. Shut the door and sever the cord. I used to quilt and loved it, but finally faced that I had to stop and divert that energy into writing. That choice made a huge difference in my writing productivity.
Now that the book is finished, I feel that energy bubbling within. Which is great news for Ruby!
Maybe I’ll get those decorations up this weekend…
Also, if you’re online this weekend, I’ll be participating in Coyote Con – an online free writing conference. I’ll be on a panel for Fantasy Romance, 6-7pm Eastern Time tonight. Tomorrow, 2:30-3:30pm ET, I’ll be on a panel with some fab friends “THE GOOD, THE BAD, THE GIRLY & THE MANLY” and another panel tomorrow night (Saturday 10/27), 9:30-10:30pm ET, on erotica and erotic romance.
Next weekend, I’ll be in Toronto for World Fantasy Con – provided Frankenstorm doesn’t raze the city. And, while I’m in Toronto, I’ll be signing cover flats at the Ellora’s Cave booth at the Everything to Do with Sex Show on Saturday evening, November 3, 7-9 pm.
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Ah, the Dream Agent.
You know you’ve heard writers use the term. Hell, I’ve heard agents use the term. There’s this persistent idea in the publishing world that an up and coming writer should make a list of the qualities they want in an agent and, through dint of much research, develops a tiered list of desirable agents, presumably with the Dream Agent in the number one position.
Presumably this research includes the agents’ track records of sales, clients, social interactions, reliability, integrity, agency agreements and just general lovability.
It’s not that writers shouldn’t do this research – they absolutely should – but much of this is romantic silliness and not business.
Seriously.
You know what it reminds me of? Those girlfriends I had in middle school who made lists of their Dream Man. He would be rich, kind, good sense of humor, nice hands, works out, reads, loves cats and likes to walk on the beach Sounds great, right? And how many of us ended up with this person, this unicorn of a lover?
Arguably no one at all, because this isn’t about reality. This is the dream. The fantasy.
Dreams and fantasies are great – they keep us vitalized with possibility. But at some point you have to face reality.
We learn this when we start truly dating instead of making hopeful lists. Over time, over dinners and coffees and cocktails and gritty morning-afters, we discover that these dream lovers are all just people. Some make more money than others. Kindness is relative and not necessarily the best quality without a leavening of self-preservation. Maybe he reads, but he likes nonfiction and you don’t. The Dream Man list goes out the window.
Instead, you develop the Dealbreaker List.
I truly believe in this. Part of knowing ourselves is learning what we can adjust to and what’s a Dealbreaker. For me? Jealousy is a dealbreaker. Don’t love cats? Major problem. Won’t or can’t rationally discuss problems? Dealbreaker.
Because finding a life partner is really a quest to find a person who fits with you, who enables you to do in life what’s most important to you, you start discovering what qualities you need for that – and which qualitieis you simply cannot live with.
And this, my friends, is how it should be with finding an agent, too.
A gal contacted me the other day. My agent had offered her representation and she was asking after my experience, which is truly just fine. I’m happy to do that. However, she included a laundry list of questions for me to fill out. I don’t know about you guys, but I look at an email with a long list of things for me to answer and I want to hit delete. But I read through them, because I do like to be helpful, and it struck me that this was the Dream Agent list.
My first response (okay, second, after wanting to hit delete) was to wonder why she’d queried my agent at all if she had these concerns. Then I wondered if she was really ready to have an agent at all. She seemed to be asking if everything would be perfect and she’d never ever regret this decision. She wanted her Happily Ever After with the Dream.
Thing is, and I can’t say this enough, signing with an agent is agreeing to a business deal. They hope to reap rewards from selling your work and you hope they’ll sell you bigger and better than you can do on your own. It’s as simple as that.
If I compared my agent to a Dream Agent list, she would not ring every bell. That was okay with me because she brought qualities to the table I wouldn’t have known to put on a list. More important – there were no dealbreakers. Besides, we’re not getting married. We can break up if it doesn’t work out. We’re working together, developing our rhythm, seeing what we can do between the two of us.
Just like any relationship.
Oh! And for the record – I told the gal asking that I’m very happy with Agent Pam.
But I didn’t fill out the list.
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I’m over at Word Whores today, where I punted and gave the ball to the lovely and talented Laura Bickle, who tells us how to make a story scary. AND I’m giving away a copy of her excellent – and very scary! – book, THE HALLOWED ONES.
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This is an eight-foot tall glass Christmas tree made by Dale Chihuly for the Clintons when they were in the White House. It’s on display in the Clinton Presidential Library in Little Rock, Arkansas. I was there for a day job conference and the final night’s banquet was at the library – a place I would never have thought to go on my own, for any president. Now I’m considering seeing as many as I can, when I’m in the right area. Just fascinating. I confess the replica of the Oval Office gave me a surprising emotional tingle. They replicated exactly what Clinton had on his desk and now I’m rethinking my tchotchkes.
Of course, Jackson just jumped up on my desk, nabbed one, and took off with it, so it could be a self-resolving situation. If I had a bust of Nelson Mandela, he wouldn’t be pulling that shit.
I flew back yesterday, landing in Albuquerque in the late afternoon. Regular readers know I’m often cranky coming back from work trips, because they throw my writing schedule all to hell and gone. It’s just how it goes. As I drove up the interstate, I immediately hit a major traffic slow-down and groaned, thinking I’d hit rush hour and it was going to be a bad one. I ran the calculations in my head, if I should take an alternate route that’s normally longer, but would save me going through the whole city at that speed.
If you’ve never driven in Albuquerque, you should know that the traffic can be terrifying. There’s no good reason for it, but people drive *really* fast and change lanes rapidly, weaving in an out of traffic. This is in addition to the decrepit vehicles from Mexico, with Chihuahua or Sonora license plates, pottering along easily 30 mph below the speed limit. Even people accustomed to driving in the free-for-all of Boston rush hour can be taken aback.
You have to look sharp.
After a couple of miles of stop and go, a truck pulled into traffic with the elevated lighted signs that point traffic to change lanes. It was an accident then. Sure, enough, as we all merged over to the rightmost lanes, I passed the wreck. Three or four vehicles were jumbled up in the left lane – one pickup truck spun around so it faced traffic. No cops or EMTs had arrived yet, but people were gathered around the cars in little clusters. It looked – miraculously – like mostly the vehicles had gotten banged up, not the people. One man, though, older, probably in his 70s, leaned against the concrete barrier by himself. He looked stunned and bewildered in a way that grabbed at me. I wanted to pull over and tell him it was okay, that at least he wasn’t hurt.
His face stuck with me for the rest of the drive and I wondered about him – if he’d had someone to call. If his wife had been angry or understanding or if she was maybe so far gone into dementia that she’d never understand what happened to him that afternoon.
It’s an easy thing to take for granted – all those days that aren’t ruined by sudden disasters. Instead we focus on the irritating minutiae. The minor aggravations of all the little things that don’t go exactly the way you want them to.
What a luxury that is.
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I’m over at Word Whores today talking about using superstitious characters.
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I got my trophy in the mail the other day for Sapphire’s win in the OKRWA International Digital Awards. It’s very pretty. I may or may not sit and gaze at it from time to time. Especially during day job conference calls.
My big boss, head of our 60-some person team, Chi Ho really hates it if we’re not paying attention to conference calls. For people in the office, he makes them come to the conference room for big meetings, instead of phoning in from their desks, as many would prefer. Chi Ho says that there’s no such thing as multitasking, that if you think you are, you’re really not paying attention to any of the several things you’re doing. I think he does have a point.
Yesterday I was talking on the phone with a gal junior to me who’s doing a whole bunch of work on my projects. She’s very sharp, organized and I trust her with a lot. We were doing long-term strategizing about finishing out projects for the rest of the year. As we were talking, an email from Chi Ho popped up on my screen and I scanned it – then realized this gal had asked me a question. I rewound the tape in my head, but no, I didn’t have it. I had to confess that I’d been reading Chi Ho’s email and had stopped listening and what was her question again? She started laughing and said “caught you multitasking!”
I’ve been reading The Creative Habit by Twyla Tharp, which was a gift from the lovely Laura Bickle. It’s a very interesting take on creative and leading an artistic life, because Twyla comes at it from such a different perspective. As a dancer and choreographer, her creative process is in some ways the polar opposite of a writer’s. She is physical where we are sedentary, working with large groups compared to our solitary dreaming. But the differences point up the similarities in how we create and nourish new ideas. I’ve been highlighting a lot and this one struck me:
The irony of multitasking is that it’s exhausting; when you’re doing two or three things simultaneously, you use more energy than the sum of energy required to do each task independently. You’re also cheating yourself because you’re not doing anything excellently. You’re compromising your virtuosity. In the words of T.S. Eliot, you’re “distracted from distractions by distractions.”
It’s a challenge to cut out multitasking because we all get a frisson of satisfaction from being able to keep several balls in the air at once. But one week without multitasking is worth it; the increased focus and awareness are their rewards.
That’s Twyla’s idea – that cutting out all distractions for a week improves creativity. She’s pretty draconian about it, saying that when she’s working up a new dance, she cuts out all input for a week before – email, TV, music, newspapers, everything. This is where I see a big difference in being a writer. I suppose there was a time when a writer prepared to Write The Next Book and would do this creative preparation. However, these days, I think most of us are writing pretty much all the time. I know I have to. I finish one project and move on to the next. So, while seductive*, it’s not practical for me to create this well of silence around my creative process.
*And it’s totally seductive to me. I have this idea that I would love to be a cloistered nun and take a vow of silence. Except that I’m not religious and I really like sex and other hedonistic activities. But still.
Instead, I think this silence can be created on a temporary and daily basis through dint of habit. My ritual now is turning on Freedom for two hours. (Those keeping track at home will notice that I upped the time. Deadlines – they be looming.) This silences the internet. I turn off the phone. The more I make myself sit with no other stimulation and simply focus on the story, the more it flows.
And for the day job? When I talk on the phone, I turn my back to the computer screen.
Mostly.
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The cover of Platinum. So much pretty.
(Just in case you missed the cover reveal on Sullivan’s blog over the weekend.)
Covers are a funny thing. They are often the faces of our books – the first impression and lasting image. From the marketing end, the cover is the keystone of all publicity. After all, there’s not that many other visual images to tie to a story, except maybe the author head shot. (And for a lot of us, no one wants to go there. 😉 ) For the readers, covers add to the book’s caché. I know readers who collect bookmarks or cover flats of digital books, just to have the cover to look at.
If you’re a writer working with a publisher, what the cover will be is pretty much out of your hands. Oh, we get input–Carina and Ellora’s Cave have us fill out art fact sheets describing the book, characters, mood, tone, genre and visual hooks. And the marketing teams show the draft cover to us and we can give feedback. They smile, nod and give us the cover they want to.
If you self-publish, the writer becomes her own marketing team. Even if she hires a cover designer, she still has to communicate her concept, what the models should look like, the fonts and colors. It can be grueling, as I recently watched my friend and CP, Carolyn Crane, go through. She wanted the cover for her new book, Mr. Real, to be exactly right and wonderful, going through many iterations to get there.
(I know this because I think I looked at EVERY ONE.)
At any rate, she finally decided on a cover that she loved. Everyone was joyful. Until she found out that another author had received a nearly identical cover from her press – and the book is in the same genre and releasing on the same day. You can read Carolyn’s truly hilarious take on the fiasco here.
What strikes me most about this whole adventure though, is how lovely everyone was about it – especially the other author. We hear a lot of tales about author jealousy, infighting, plagiarizing, attack-sockpuppeting and various other kinds of unpleasantness. People love to pass around those stories. I knew this guy once who loved to complain about how women compete with each other in jealous and mean ways. He’d say “if two guys show up to a party wearing the same clothes, they’ll be friends for life – if two women wear the same dress, they’ll be at each other’s throats.”
Yeah. He was an ass.
But whenever he’d say that, I’d remember something that happened to my mom. The first time she ever volunteered to help organize a charity event, it was the inaugural fundraising ball put on by the American Cancer Society in Denver. She killed herself helping to plan this ball. Tons of work. And she stressed about what to wear. We shopped in EVERY store in Denver for the perfect dress. She visited me in college in St. Louis and we shopped there. We visited my aunt in Chicago and shopped there, too. This was over the course of nearly a year. Finally she found the perfect dress (I think in Chicago) and all was right with the world.
She arrives at the ball early, along with the rest of the committee, to finish setting up and in walks her good friend and another committee member wearing the exact same dress. That she’d bought at an exclusive boutique. Myrtle Rose, my mom’s friend, broke out laughing – I mean, what were the odds? – and said she’d go home and change. My mom protested and MR said, no, she’d been torn between two black dresses and all her make-up and jewelry would stay the same – she’d just shuck on the other dress and be right back.
It was done with the same spirit of friendship and generosity as Carolyn showed – and as the other author, Julianna Stone, showed her. After all, Carolyn was out money and the time she’d already invested in showing off the cover. It was well done of her.
I love a happy ending.
Oh, and speaking of – If you’d like win a 3-chapter, synopsis and query critique from me, you can do it here!