Frahgilé

It’s a Major Award.

Today is an exciting day in the romancey community. RWA is a well-oiled machine, as you have to be for a major advocacy group with over 10,000 members. Today is the day RWA announces the finalists for the Golden Heart Awards for unpublished writers and the Rita Awards for published writers.

There are multiple categories such as single-title contemporary (that would be your standard Nora Roberts/Linda Howard novel), or series (such as Harlequin), or paranormal, or romantic suspense and so forth.

Everyone submitted their books or manuscripts back in December and now all the judging is in (from fellow RWA members). Finalists are notified today and the winners will be announced at the big awards ceremony at the RWA National Convention in July.

That’s when you get to see Nora in her Ferragamos accepting her trophies.

All across the internet, there are blog parties today. People chime in when they’ve heard that they finalled and others comment to congratulate. The people you don’t hear from are the ones still clutching their cell phones, waiting for it to ring.

A lot of hope out there today, swirling through the interwebs.

Which means there will also be disappointment. A lot of phones won’t ring.

Golden Heart, particularly, can be held up by the unpubbed writers as the pinnacle of success. It’s a particularly nice deal in that, if you are a finalist, you get first pick of the agent and editor pitch appointments at the convention. Theoretically they’ll take you more seriously, having been vetted by your colleagues.

But that only points up that the Golden Heart is only an intermediate step to the REAL prize: publication. Which is the whole point, after all. At least for the upubs. Clearly all those Rita finalists are hoping for another level of validation, likely just as crucial to them. Maybe more so.

I’ve seen several “studies” – bloggers doing informal surveys of Golden Heart winners – to see if there was a correlation between winning or finalling and publication. The answer, as always, is yes and no. It looks to me like it helps, but it’s far from a sinecure.

Like all contests, it can be wonderful validation from your peers, but it really doesn’t put your book before readers’ eyes. Readers who will pay you to eat so you can keep giving them stories, much less readers who will give you enough money to buy Ferragamos.

I don’t know if I’ll check into the blog parties or not. I’m keeping my phone off until my writing is done. That part must remain sacred, as it’s the core of it all.

It’s hard to wait. Hard to rest your hopes on whether someone gave you a score of 7 or 9, or even an 8.8. You take a little piece of your heart and lay it on the marble slab under the judges critical eye.

But, in the end, an award is only what it means to you. Even a Major Award.

Even if it’s Italian.

4 Replies to “Frahgilé”

  1. The magic hour has passed. The phone call I got at the witching hour? A political pre-record. ~headdesk~

    You're right, of course. What matters to the GH contingency is a sale, preferably a series/multi-book deal.

    On the other hand, winning would still be a nice feather in the ol' cap. A nice ruby feather.

  2. The universe is clearly screwing with both of us KAK!

    We should get hats for National and put ruby feathers in them…

  3. Eh. You know what's funny? I checked out some of those GH winners (at least for Paranormal). Quite a few a serial winners – i.e they win or final in a lot of contests, including past GHs.

    But you know what? They're still not pubbed yet.

    So what do you want to do? Win a contest? Or sign a contract?

    (And yeah, I know, it's easy to say it from where I'm standing, but it *is* true. Aside from RWA people, no one gives a shit about the GH.)

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