At What Point Do You Dig In to Protect Your Writing Process?

025A shot from Los Angeles last week and lunch with the delightful Lynda Ryba (@fishwithsticks). She’s going to be helping out with my Facebook Author Page, so we should see VAST improvements in that! (Really, it couldn’t get worse…)

What with it being NaNoWriMo (National Novel Writing Month, if you live under a rock – basically you commit to writing 50,000 new words during November), I’ve been thinking a lot about the writing process. Quite a few people wanted me to participate in NaNoWriMo. I could, because I’m seriously drafting book 3 in Covenant of Thorns right now. (I think it will be called Rogue’s Paradise.) I’m almost 20K into it and will almost certainly write at least 50K during this month. And I’d like to be supportive – I really would. Some of the newbie writers in my local chapter are doing it and I can see it would be helpful of me to join in. I like being supportive that way.

Except I said no.

Why? Because I *have* to turn in this book – complete and polished – by December 31, according to my contract. Worse, my editor is going on this long trip to New Zealand (yes, we hate her) and really wants the manuscript by December 25, so she can take it with her. Really a week doesn’t make that much difference, but it makes the deadline ever so slightly tighter. I cannot miss this deadline.

But Jeffe, you say – isn’t that all the more reason to do NaNo, to crank on getting those words down?

See, it’s really not.

Over the past several years, I’ve put a lot of effort and concentration into learning and refining my writing process. I say “learning” because I really believe we all have an organic process that we have to discover and love. It’s rough to go against that. I’ve now written six novels and novellas according to the method I’m using now. I know how much I can do each day (right now, about 2,250 words in 2-3 hours) and how long it will take me to complete the draft and then to revise. Being able to reliably create on a schedule is crucial for being a professional writer. This process is delivering for me. That makes it precious.

Which means I’m not going to mess with it.

No way.

Call me superstitious, but I’m not changing a thing.

I’m feeling much the same about workshops and classes. Now, I’m a huge believer in continuing education, lifelong learning – all that stuff. I was the girl in college who took 21 credits every semester, just because there were so many interesting classes to take. That said, I don’t have a writing degree of any sort – no English major, no MFA. I’ve taken tons of writing workshops, etc., over the years, but for the time being, I’m feeling like I want to stay away from them.

This isn’t the hip thing to say these days. Particularly not in the romance-writing community. (In fact, I don’t recall seeing this perspective much at all in the literary community. Those writers are much more apt to be protective of their process and to be vocal about it.) People love to point out when established writers come to workshops. They say things like “I’m never done learning!” and “not taking workshops can lead to stagnation.”

In fact, someone said that last to me just the other day. I threw the question out to Twitter (of course). I framed the question carefully, asking if any of the writers – especially well-established ones – found themselves staying away from classes and workshops, to protect their method. I tried to phrase it to weed out the happy “I love to take classes!” answers. Even so, I still received those responses.

 

 

and

 Another author, who preferred to remain anonymous, told me about an experience early in her writing career about “you can’t do that” that stopped her flat. She didn’t write for almost a year.

I think if I cast my net wider, I’d hear more of this kind of feedback. Because it sounds better to be enthusiastic about learning and growing, those writers who feel protective of their process might be less likely to speak up. But, I think it’s an important point – and speaks to the gal who said that not learning could lead to stagnation, a very common view – to remember that growing isn’t necessarily derived from taking workshops. There are thousands of ways to learn and grow as a writer, not the least of which is reading!

It’s certainly a fine line to walk. And it’s not that I think my process or my art is perfect. I do feel, however, that it’s working for me. I’m continuing to improve as a writer and that’s important to me.

More, I’m protective of it.

Five Tips for Being a Good Panel Moderator – and Why You Should Totally Do It

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Fire season has started in New Mexico. Alas.

 Makes for riveting sunsets, however!

 I’m over at the Word Whores blog this fine Sunday, talking my Five Tips for Being a Good Panel Moderator – and Why You Should Totally Do It.

We Photograph Light

If I was organized, I’d keep a list of which photos I’ve used on the blog before.

In fact, feeling a surge of organizational enthusiasm, I just started a spreadsheet to track them. I know you’re relieved. Though we walk through the Valley of Chaos, we fear no disorganization, for Excel is by my side.

Okay, yeah, I had fun at the photography class last night.

After I reluctantly dragged myself to it. Working from home, I’ve developed a disconcerting tendency to not want to leave the house. Not to mention in the evening, after a full day of writing and day job. Somehow it feels like so much effort.

Which I know is lame and pathetic.

Fabulous class, really. One thing I should remember about myself is that I’m an auditory learner. My reading comprehension is decent, but there’s nothing like having someone EXPLAIN something to me. Also this guy, Steven Walenta, clearly teaches this Digital Photography class for the Continuing Education end of Santa Fe Community College quite a lot. He had clear, informative slides, took his time and showed patience for all questions.

One of my favorite things he said: We photograph light.

Of course, we kind of know this already, right? We only “see” objects because of the photons bouncing off of them and back to our eyes. So we don’t photograph the rain chain, for example, but rather the light bouncing off the rain chain. This changes how you make decisions about your camera settings.

Suddenly it all makes sense to me.

Oddly, I was the youngest person in the class, with the possible exception of a woman with some kind of Scandinavian accent. She also had gorgeous Scandinavian skin, so I’m not positive of her age bracket. The rest of the ladies – yes, all women taking this class – were more in their 50s and 60s. Do the younger people all understand their cameras already? One of my twitter friends, Chudney, suggested that many people don’t pursue their interests until later in life and I’m ahead of the game. Which is a lovely spin.

But why no men in the class?

In my previous snarky literary circles, and yes, they were famous for being snarky – that’s how you could tell they were literary – authors would bitch about “all the middle-aged ladies” taking writing workshops. Oh, I’ve seen and heard the most disdainful remarks about how these women have money and nothing to do with themselves. Some of these “vacation-type” writers workshops you see now and again that look obscenely expensive? Yes, targeting this type of student.

The implication, of course, is that these are lesser humans, who will never achieve what the teacher has. But we’ll take their money, anyway.

Instead, I find them admirable. They’re dragging themselves out to an evening class to learn something new and intimidating. I think I’m overwhelmed by my new camera? How about the lady in her late 60s/early 70s who’s never downloaded a photograph to a computer?

I watched Steven move around the room, helping people find the settings on their cameras. Never impatient, never disdainful, even though he must have explained pixels ten-thousand times before, he showed a gift for teaching what he knew. And a pleasure in his subject.

The literary snarks could learn something from this.