THE FATE OF THE TALA Not Yet – But Close!

This is the time of year when kitties display their cunning in knowing when and where the rising sun will hit – and their wisdom in knowing to be ready for it. Also: tongue baths and sunbaths go together. Jackson, cat guru, at your service.

So, today is January 15, 2020. But no, it is not the release day for THE FATE OF THE TALA.

For those who don’t follow the podcast, I can officially announce that THE FATE OF THE TALA is done, done, done!! It came out at just shy of 109K and is in the hands of my fantastic editor, Rebecca Cremonese. I told her not to bitch at me about how long it is; she said not to bitch at her about how long it takes. So we’ll see. As soon as I get her edits, I should be able to turn that around and get it formatted within a couple of days. I’m hoping to get it uploaded and on sale the last week of January.

And wow: that book was a difficult write. Some books go slower than others, and that one was determined to unspool at its own pace. With a Prince

It’s not just me, either, because I’ve switched over to moving some other projects forward and those are speeding right along. One thing I’ve noticed – in trying to figure out why my overall wordcount production has dropped – is that some genres also write faster for me

than others. I could see from my handy charts that 2014 and 2015 were my highest wordcount years. I went to writing full time at the end of 2015, so this was NOT the trend I expected. What I’ve realized, however – and what the chart doesn’t show – is that I also moved to writing a LOT more fantasy, and much denser fantasy, and pretty much stopped writing any erotic/contemporary. The closest I came was writing books two and three of the Missed Connections series, WITH A PRINCE and SINCE LAST CHRISTMAS, in 2017 – and, notably, 2017 was my third-highest wordcount year. It’s anecdotal data, but the correlation is enough to satisfy me.

I’d forgotten that I used to alternate writing Fantasy stories with Erotic/Contemporary ones. And that worked for me. Many of you know I hadn’t finished the last two books I’d planned for the Missed Connections series because they just weren’t selling as well as the Fantasies. But, heck, even books that don’t sell amazingly well are better than books I haven’t written! Besides which, some of my other erotic stuff – PETALS & THORNS, the Falling Under series, and the Facets of Passion books – have all continued to sell steadily. Clearly writing those has served to keep my words flowing all around.

Also, the Missed Connections books have very nearly earned out my investment – I’m only about $500 in the hole on the three books so far – so those of you waiting for Julie and Ice’s stories may yet be in luck! Also, I think I’ll write more short erotic stuff, if only as a palate cleanser. Dark Wizard, anyone? You know I’ve been stewing over that one for a long time.

For the sharp-eyed among you who noticed that 2019 was the lowest wordcount year since I began tracking (*sigh*), I attribute that mainly to taking off most of July and all of August from writing – the longest break I’ve taken in ten years! Also, everything I did write was Fantasy, one project worked up an entirely new world in a new-to-me genre, and one was the very slow moving THE FATE OF THE TALA. So it goes.

Now, off to write something erotic… ~rubs hands together in glee~

The Tide Is Shifting!!

THE SHIFT OF THE TIDE is taking shape! If you haven’t been under a rock these last two days – and if you have, hey, I don’t judge – then you’ve already seen the cover. So much gorgeousness! The incomparable Ravven did this for me. Many people (who haven’t been under a rock, but that’s okay, too) have asked if this is the same artist who did the covers for (RITA finalist!)  THE PAGES OF THE MIND and THE EDGE OF THE BLADE.

The short answer is: no.

But Ravven did an AMAZING job of matching the look and feel of those previous covers. Those were done via my publisher, Kensington. They hired artist Cliff Nielsen to create the images and Kensington’s in-house cover designer, Kristine Mills, took it from there. Ravven did both jobs and managed to capture the same vibe while pinpointing everything about Zynda as I described her.

Because, yes, that’s Zynda – the Tala cousin of the three princesses of the original Twelve Kingdoms trilogy. She’s a powerful shapeshifter, capable of taking many animal forms, and she’s also a sorceress. Just how much can she do? Well, we don’t know for sure! But, like her cousin Andromeda (Andi), she is of Salena’s potently magical line. Zynda has an interesting role to play in unraveling the riddles that plague their realms.

Oh, wait – you’re wondering why I’m doing this book on my own, when the previous five were with Kensington? Yeah, savvy readers will have picked out that THE SHIFT OF THE TIDE will be self-published rather than traditionally published. This partly by my choice, partly not.

See, this is how traditional publishing works, is that they might decide they no longer want to publish a series even though the author (and possibly readers!) think there’s more story to tell. In Kensington’s case, they were happy the books were so well received and have gotten great awards, but the sales weren’t what they wanted. Specifically the print sales. All of these books have sold great in ebook form – which is very typical for romance – and have sold through on the advances Kensington gave me. The print sales, however, weren’t as good as they wanted. What did they want? I don’t know. These decisions are rarely made clear to the authors. Instead, what they do – and did with THE SHIFT OF THE TIDE – is pass on the “option book,” which is the next book I’m contractually obligated to offer them.

Once they passed on SHIFT, which came as no surprise to me for a number of reasons – frankly, I was luckier than most to go that long as many authors get two books and that’s it – I had the freedom to self-publish the rest of the series. That’s pretty huge, by the way. Back in the Bad Old Days, I would not have had this option. The infrastructure to self-publish simply wasn’t there. You know how some of your favorite series suddenly seemed to just… stop? 95% of the time, that’s the reason why. (The other 5% being author going off the edge, burning out, or dying, pretty much in that order.) 

So, I’m planning to do this book and at least one more. After that… it depends! I’ll have to see where the overall arc is and how you all are with it. I’ll have to make my own sales decision. For the time being, I’m *thrilled* that this cover continues the look of the series in grand style. In additional exciting news, my editor for the first five books is freelancing, so Peter Senftleben will be editing these also! I’m also fortunate to have my same production editor, Rebecca Cremonese, who makes sure all of my books are as perfect as my stubborn nature allows. 

I’m shooting for August 15 release date on this. Amazon only allows a 90-day lead on setting a pre-order date, so by mid-May, when we can actually DO it, I’ll know for sure that I can commit.

This is the initial blurb. It will change as, you know, I write the actual story. If you want to learn something about how my process does (and doesn’t!) work, save this and compare it to the final. Could be entertaining!

Free from the hand of a tyrant, the Twelve Kingdoms have thrown all that touch them into chaos. New allies appear–and enemies encroach–from all sides. To survive, they must adapt to this new reality without a moment of doubt…

Growing up in a country where magic was common as dust, Zynda never had to worry about her enchantments upsetting the balance of nature. But the land beyond the borders of the thirteenth kingdom calls to her. It may be foreign and ugly, but the strangeness is laced with an excitement she has never known. Outside her homeland, Zynda’s shapeshifting and sorcery are a potent advantage to nations grasping for dominance–and the thrill of power lures her even as she recognizes the threat she poses to these magic-buffeted realms.

A ruthless enemy stalks them, promising destruction if she does not fight with all her strength–but if she upsets the equilibrium of the land, all will pay, the common people most of all. And a man of this outside world fascinates her, a mossback with no scrap of magic in him. He knows nothing of the fears and temptations pulling at her. But in his steady embrace she learns she must choose well–for the consequences may reach farther than she ever imagined…