Sneaking in the Back Door

When I was a kid, I lived and breathed books. I suspect a lot of us were like that, among my faithful blog-gobblers. I consumed books by shelves and by authors, by topic and genre. Over time, I came to feel like certain authors were my friends. I spent a lot of time in their heads, in their worlds. It’s an illusion, I know, but I think we often come away from reading books feeling a real connection to the author, that they somehow understand us the way no one else ever will.

So, part of this connecting for me was having conversations in my head with these authors. Anne McCaffrey and I talked on and on about her stories. I’d point out little inconsistencies and make suggestions. She, of course, found me brilliant. I fantasized about how we would someday meet, how I’d show up at DragonHollow, help her feed her horses and we’d become instant friends.

This was before I understood the concept of stalking.

Now that I understand that it’s not the best idea to hunt down the writers I love and tell them how to make their amazing books even better, I’ve discovered the back door route: become a writer!

The last several weeks I’ve been privileged to read new books from the fabulous Marcella Burnard and Laura Bickle. As I was reading – and making notes on how to strengthen here and there – I took delight in seeing the little inside jokes from our conversations come out. And here would be the knotty plot problem we’d tossed around in theory and there would be fleeting evidence of my fingerprints – a concept I’d suggested.

And I realized, these authors are totally my friends.

It’s every bit as wonderful as I thought it could be, too.

Does anyone have Anne McCaffrey’s phone number?

Danbling and Overthinging

See? I take photos of clouds in other places, too.

Ski slopes are funny places in the summertime, all denuded and over bright. But the clouds going by – ah, yes.

So, I’m getting myself back into the writing groove. Trying to plan and be all strategic-like. This is SO not my forte. You all know I envy those folks who plan out what they’re writing. I often delude myself into thinking I could be one of them. How hard can it be to plot a series arc?

Um, pretty damn hard, it turns out.

See, I have this plan (which I mentioned before, so sorry if this is too repetitive – go ahead, roll your eyes at me, I deserve it). Once I get the substantive edits on Obsidian from fabulous editor, Deb (she made noises about modifying the Liam scenes – what do you want to bet they want me to make him a more viable love interest? KAK is already Team Liam and she hasn’t even read the whole thing…), they’re predicted for late October, so I have that time blocked out. Then I’ll dive into the sequel, Aquamarine.

I’ve always thought Obsidian would be the first of a series. Like, um, mumble mumble maybe seven books long mumble.

I know.

I KNOW, okay?

Never let it be said that I’m not ambitious. You could add in other words, too, and I couldn’t argue with you.

The problem is, though I have this vague, general idea of how the story will progress and the big ideas of what will happen, they don’t parse out into actual plots. So, naturally, I’ve been bugging my CPs about this. I asked Marcella if she thought all series should be trilogies at most (I could swear I heard her say this once) and she said I’m asking the wrong girl since she’s working on a five-book series. I bugged Laura about it while she was tired and had been drinking margaritas. She said that the danger with series arc plotting is overthinging it. She advised that I simply keep notes on my plot threads, so as not to leave anything danbling.

They both patted me soothingly on the head (They might even have typed ~pat pat pat~ into the IM window.) and told me my process is fine.

But I’m still not sure how I’m going to do this. Any advice?

Otherwise, I’ll just be here, danbling and overthinging.

Gifts Beyond Price

Look! Yes, it’s an obsidian necklace (with a bit of citrine). My lovely friends Marcella and Laura sent me this for my birthday.

My actual birthday isn’t until next Monday, but the timing worked out to open it yesterday, which was perfect.

See, Marcella lives on a sail boat and goes from harbor to harbor around Vancouver Island and the San Juan Islands right now. She was trapped by bad weather in a harbor without WiFi for several days. And Laura is under deadline and has gone Walden Pond (staying away from the interwebs for August). So we had to find a window when the three of us could IM conference while I opened my present.

The gift is particularly poignant, because yesterday I also received the contract for my novel, Obsidian, from Carina Press.

Yes, that counts as the official announcement!

I am so blessed in so many ways.

And I plan to wear my necklace non-stop.

With a Little Help from My Friends

The first morning at the RWA conference saw us playing. There’s not much going on that first day, until you get to the Literacy Signing that night. (There’s a great video of the madness that is the Literacy Signing here, if you care to see.)

So, with no need to attend the business meetings, we took off on a long walk with my roommates. The lovely Tawna Fenske already did a blog post (she’s so efficient) about me and Marcella as bunk mates. The thing is, we had a great time together. I wanted to see Rockefeller Center, Tawna wanted to see Central Park.

Of course we did the carriage ride.

Our driver had a lovely Irish accent, too. Amusingly his patter consisted of him pointing out sites where movies had been filmed. Most of which we’d never seen. I finally asked him if he’s a movie buff and he admitted that, no, it was just part of the job. He seemed surprised to be carting around a carriage-full of romance writers, particularly when I told him what I write.

More and more, conference for me is about spending time with friends like this. People I usually only “see” online. Laura Bickle is one of those. She arrived later that day, with just enough time to tie a little wine on before I had to work the registration desk before the signing.
Turns out that’s a great time to work the desk, because a lot of the big authors arrive right before the signing. The best part? They’re all registered under their REAL names.

So when Eloisa James stepped up and I couldn’t find her packet, I had to ask her if she has another, legal name. At this point, they look abashed and glance around to see who’s nearby. She leaned over the desk and said, “…” See, I swore not to tell. But I learned at least five secret identities. And yes, it’s totally enough just to know that I know the secrets.

The other funny thing was that the big speakers, like Diana Gabaldon, were done the great favor of having their registration stuff put in their rooms. Only a lot of them hadn’t BEEN to their rooms yet. Ironically, they couldn’t enter the signing without a name badge. When I told Diana her stuff was in her room, she gave me the terrified puppy-dog eyes. This was half-an-hour before the signing. She was afraid that, if I sent her to check-in and go to her room, she’d never make it through all the people in the lobby.

I ranted once before about how writers will never be rock stars. But Diana Gabaldon at a huge gathering of romance writers and readers? Totally a recognizable rock star.

We printed her up a special name badge. She was charming and grateful.

As I do every year, I also attended the Secrets of the Best-Selling Sisterhood seminar with Jayne Ann Krentz and Susan Elizabeth Phillips. This time I asked how they’ve maintained their friendship over all these years – if they have strategies. They seemed taken aback by the question and I wondered if maybe it wasn’t always easy. Finally they said that they don’t live near enough to irritate each other.
See? Just another reason to value those online friendships.

But it was really lovely to spend some in-the-flesh time with them, too.

Good Business – Please Don’t Be Difficult

The longest day of the year comes to a close. The sun is now at its most northern point, shining into the Secret Garden. The pendulum hits the end of its arc, hesitates, and swings back.

So, I’ve been talking to people about redoing my website. Yeah, it’s old. I’ve bastardized it over the years. I *ahem* rarely update the thing. I kind of hate even looking at it and the prospect of dealing fills me with this formless sense of dread. Nevertheless: the site needs help and it’s time to do it.

Always an interesting thing, when you step out into the world with your fistful of money and say “hey, I’d like to purchase this service.” You’d think, especially with the economy as it’s been, that people would love to have your money and provide that service. Odd that it doesn’t exactly work that way.

I’m totally not counting all the people that suddenly followed me on Twitter the second I mentioned web design.

The first guy I talked to didn’t get my first email. Then, when he got my follow-up email, gave me a lot of complex feedback. As the astute Laura Bickle says, “I don’t want to know how sausage is made.” Don’t tell me about code, please. If I cared about that stuff, I’d be doing, um, web design. He charges by the hour, wasn’t sure how many hours it would take, and seemed to be going in directions that confused me. I expressed my confusion and he never replied.

Guess I was difficult.

After a week, I asked for other recommendations yesterday. KAK gave me one, and a Facebook friend gave me another. I filled out the form requesting proposals on both sites. One of those I still have not heard back from, which I wouldn’t think too much of, except that the other called me within about 1/2 hour. This gal chatted with me about what I wanted, didn’t treat me like I was crazy and explained in exact dollars what it would cost me and what I’d get for that.

THANK YOU.

Later in the day, the company owner emailed to tell me they were enthusiastic at the prospect of my business. She will be at RWA National next week and wants to meet with me. The fact that she runs her business this well makes me think that she will represent *my* business well, also.

My feeling of formless dread has transformed into enthusiastic hope.

Which is exactly what I’m hiring someone to do. Handle this for me, please.

I think it’s good to pay attention to how people handle their businesses, both good and bad. As writers, we are necessarily business owners, whether we want to be or not. More and more I think the key to running a good business is to make it easy for people to do business with you.

In short: Don’t Be Difficult.

I could wax on with specifics, but I’m sure you all know what I mean. Be easy to communicate with. Be clear. Know your price points.

Oh – and have a good website.

Ahem.

Village Fashion Assistance

Why, yes, that is Katy Perry dressed in Gautier from the June 2011 issue of Vanity Fair. And there’s a very good reason she’s there for you to admire.

Let me tell you the story.

See, I’m going to the RWA National Conference the last week of June. This will be my fourth time. This year I knew I’d be invited to the Carina party, as one of their authors. Author cocktail party? Pretty much a slam dunk in fashion-planning department.

Now I had a bit of an additional complication, in that I discovered the Carina cocktail party would be right before the FFP Gathering. Not a big deal, right? One party to the next, stick to the same drink, all is fine, tra-la tra-lay.

Only there’s one little hitch: the FFP party is a Superhero theme and I have my heart set on being Cat Woman. I don’t think I’m ruining any surprises here by leaking that, especially since I fully expect to be far from the only Cat Woman at a Superhero party attended primarily by women. In fact, I figured I’d just go to the Carina party in my Cat Woman outfit. It’s pretty demure, since I’ll be more of a Michelle Pfeiffer version than the Halle Berry iteration since, hello, I do not have Halle Berry’s vicious body. Dress myself only in black leather straps? I don’t think so. My costume looks like this (sorry it’s so small) and I figured I could be brassy and just wear it to the cocktail party, too.

But, and this is a big “but,” then I was happily invited to the Harlequin party, too. I wasn’t expecting to, but since Carina is a Harlequin imprint, they included us questionable digital types. It’s after the FFP party, so that’s fine. And, hey, everyone says it’s THE party to go to, so woo hoo! Except, I get the invite and it’s a rooftop Black and White ball, formal dress.

I’ve got nothing.

Clearly I’m not wearing the Cat Woman outfit there. Even if it wasn’t an outfit that can’t be worn outside of air conditioning (lemme tell you, that thing does NOT breathe), it just ain’t formal, by any stretch. I look in my closet – nothing. You know what that means, right?

~FASHION EMERGENCY~

I’m going in a couple of weeks, have practically no time to shop, and no inspiration.

So, I’m getting my hair done – my carefully planned pre-conference beautifying appointment – flipping through Vanity Fair and whining about my fashion emergency to a sympathetic Larry. I get to the above Katy Perry pic and say, this! This is what I should wear. Larry peers over my shoulder. “That’s perfect,” he says, “that’s exactly what you should wear.”

I say, “Um, Larry, that outfit is Gautier and out of my league on so many levels it’s not funny.”

“Oh no,” he waves the scissors in the air, “you could totally fake this outfit.”

He outlines how I’ll do it. Do I have a black skirt I could slit up the front? As a matter of fact, I do. I have a black pleather pleated Jones New York skirt that would work. Put a white lace slip or skirt under it, black heels, black leggings – I love how he never once considers putting white stretch lace on my thighs – with a big white blouse on top, belted with a fabulous Santa Fe belt.

I’m sold.

Of course, this is not so easy as it sounds. (Did it even sound easy?)

Once I left the salon, clutching my pic of Katy Perry in *my* outfit, which Larry thoughtfully tore out of the magazine for me, I began to lose heart.

“Just find a little black dress,” my mother counsels. “You don’t have time for this.”

I went shopping Saturday morning and nothing, just nothing lit me up. I began to despair. Sunday I hit the consignment stores and Goodwill thinking I could cannibalize a wedding dress for the white lace underskirt. Big goose egg.

Then, in Dillards, of all places, I found a big white jacket – spunky, sheer and shimmery. It’s the last one, and I make the sales gal take it off the mannequin for me. It’s a large, turns out, but that works perfectly. I find some black leggings with black lace edging at Kohls. Already bought funky black heels for the Cat Woman look. I’m rolling now.

Back at home, I start Googling for wedding slips. KAK is helping me via IM. But even her Google-Fu, which is very strong, fails. She does, however, find me this fab black corset to wear under the white jacket.

Now we just need the lace skirt, which totally should not be this hard. But it is.

She’s combing eBay. Laura Bickle comes on IM and I catch her up on the Story So Far. Almost immediately, Laura finds this skirt on eBay. It’s perfect. It’s in Hong Kong.

BUT, they have express shipping and it’s not that much overall.

Win!

So, all the parts are acquired or on order. Yeah, we’ll see how it all works out.

I think it will be fabulous. I’ll try to post pics of the final product.

Could never have done this without my pals.

Anger Management

This is a Cinco de Mayo rose. I just love the subtle lavenders in with the brighter shades. I bought this rose at Santa Fe Gardens, which is the local bricks & mortar presence of High Country Gardens. If we weren’t on water restrictions that forbid new plantings, I’d go every weekend and pick out just one new friend to take home.

It feels good to me to garden again. To spend some time with the earth and the plants.

A couple of weeks ago, I wrote on Word Whores about how I’ve given up so many hobbies, to make time for writing. I don’t regret that choice, by any stretch. The last couple of years have been very productive for me. You folks out there might not be able to tell, because it’s mostly going to yucca juice right now, but I’ve been writing these fabulous novels that will be published ANY SECOND NOW. I’ve got a good root system of several series going. When I look at my portfolio, it feels good.

Hell, I feel sexy just saying I have a portfolio.

Yesterday, I mentioned to the fabulous author Laura Bickle that I’m trying not to be angry that I’m going to RWA this year with the same novel I pitched last year. She told me she thought I should be angry. That it’s healthy to express that anger, rather than tamping it down and seething over it.

She’s right.

I am angry and that feels good, too. It makes me mad that no one has fallen in love with this novel like I feel it deserves. It pisses me off that so many agents tell me they love it, the premise, the writing, the characters – and ask me to send them the very next thing I write. I’m angry and that fires me up.

Yes, I know I could self-publish. Or submit to a press directly. I’m choosing not to at this point.

I see so much dithering in the publishing world right now. So many of the industry professionals are hunkered down waiting to see what will happen. I hear many editors have been instructed not to acquire anything at all. I see agents making what seem to be desperation moves, selling clients’ work to epresses with no track record. Established authors are turning down NYC deals to self-publish. (Courtney Milan is the latest news that way.)

We all want to make the thing happen. To get the stories to the readers, to make a living doing what we love. Everyone seems desperate to get rich and terrified of going under.

So, I’m coming back to the idea of balance. I’m spending more time in the garden, hand-watering and adding mulch to retain moisture.

I let myself be angry and it felt good, too.

It’s good to want things.

How Old Is Too Old?

This New York Times article annoyed me yesterday. Oh, it’s an interesting article (thanks to @wolfsonliterary for tweeting it!), about the inspiration for Suzanne Collins’ young adult Hunger Games series. It’s fun to read as a writer because, no, Suzanne didn’t spring from Zeus’s forehead as a full-grown bestseller. She’s been honing her craft and working as a writer for years.

No, what annoyed me was a toss off sentence in regards to Collins’ first book: “When it was published, Collins was already 41.”

The implication being, of course, that omigod! She was already really old!

I looked up the staff writer of the article and she’s not the fresh-faced 20-something I’d imagined. Perhaps some of her own angst leaked in there. It happens. She might be feeling the passage of years, wondering how much time she has left to do everything she dreams of.

It seems I know a lot of young writers. Perhaps because more young people tend to use the interwebs than older ones. Many of the hot new YA writers are young, too, so that could be part of the surprise with Collins. I hear a pervasive restlessness from the younger crowd, bemoaning the loss of their twenties, lamenting that they’ve hit a milestone birthday without reaching their publication goals, watching the approach of OMG 40! with horror.

The thing is, we’re not football players or ballerinas. Our careers aren’t over at 28. Most writers write their entire lives. And, writing is the kind of pursuit that improves with age. In fact, a number of studies show that the average age for writers to have a bestseller is 50.5.

(No – I have *no* idea why that article is on a golf cart website. I’ve read lots of studies/data like that and that was the first I found. Perhaps they think retirees searching for high-end golf carts might also want to finally write that novel? Could be.)

I went through a stack of notebooks and journals last night, looking for some information for author and writing buddy, Laura Bickle. I don’t really journal extensively, but starting in about 1993, I took notes from writing classes, visiting authors, martial arts and philosophy classes, and wrote down story ideas and research in bound journals. It kind of makes for an interesting chronological mishmash of what I was thinking.

One thing that struck me, though, from those early writing notes, is how much I’ve grown since then. Confidence as a writer, yes. But also in perception, craft and skill. I *know* so much more now than I did at 27. That might seem self-evident, but the novels I write now are not ones I was capable of writing then. It’s exciting to think of what I might be capable of in another twenty years.

By then they’ll have really good voice-recognition software, too. I’ll just lay back and dictate. While handsome men feed me grapes.

What were we saying about fantasy yesterday?

The More We Know

I don’t mind the overnight snow, since we need the moisture. Dust storms have been clouding the valley. Even the daffodils don’t mind. They whispered that they’re built to withstand this kind of thing.

Over at Word Whores – my group blog, if you didn’t know – we’ve been talking this week about drafting styles. Whether you plan it all out ahead of time or discover as you go. Whatever terms you may assign to to those styles, writers seem to fall pretty solidly into one court or another.

On Laura Bickle’s post from yesterday, she talks about her plotting method. The comments conversation has become very interesting, as other writers profess horror or admiration for her detailed outlines.

That she does *before* she writes the book. Ahem.

At any rate, in the comments, the issue of revising came up. It’s long been the lore that the great drawback of not plotting ahead of time is that you spend a lot more time revising. KAK, who is a german dictator under all that red hair and those pretty smiles, declared that every scene must pass the “purpose” test. If it doesn’t serve the overall story, off it goes.

She’s ruthless. Believe me, I know.

I can see her point. And definitely the revising process is more cerebral than drafting for me. The drafting is all about the misting along and letting anyone and everything into the story. Revising brings the critical lens to the entire arc of the story. I’m not sure anyone can revise in a subconscious, misty way.

Except.

Okay, I’m a self-confessed sub-conscious, dreamthink, misty writer. I do believe the stories and characters exist in some reality and reveal themselves to me. I rarely feel like I “think” them up. Sometimes I can’t logically defend why someone or something is there. The critical lens would have me delete that stuff. The purpose test would demand excision. Goal, motivation, conflict? They scoff at these bits.

This is where my gut comes in. Neither the conscious, nor the subconscious, but the deep part that is most me. If I don’t trust that part, then I’m not me, for better or worse. The GMC stuff (see above) arises out of classic storytelling. People like to talk about archetypes of the hero’s journey and so forth. The thing is, archetypes, which Jung originally described as subconsciously shared concepts are something, by definition, already exist inside us. We can critically analyze them, but on some levels, they defy conscious definition.

No, I can’t always defend the purpose of a scene. Sometimes it’s because the scene is junk, or something I needed to write through to get somewhere. But one of the most surprising things I discovered over the ten years I spent writing and publishing essays – the things people keyed in on the most, were those things I had not planned. Scenes or images that just popped up when I was writing. Things that, sometimes, I nearly skipped writing, or thought about deleting later, because they seemed extraneous.

I keep reminding myself of that lesson.

A Day in the Life – Rogue Oracle

We have a new girl on the town. Rogue Oracle is no shy young debutante though. She’s sister Word-Whore Laura Bickle’s fourth book, the second in the Delphic Oracle series she writes as Alayna Williams.

She seems demure on the surface. Just a sweet, suburban fantasy, with a penchant for fresh herbs.


And lingerie.


She keeps herself spiffed up, with a pedicure for sandal season, because she also leads a secret life.


Taming wild crocodiles!


Consulting with the President and his cabinet.

And

Russian spy! You think it’s an accident this book is about Chernobyl? Oh no no no.

Don’t be taken in by appearances. Watch her.

Watch her very closely.