Tag: Jeffe Kennedy

Chapters and Scenes: Determining How Long They Should Be

Jeffe Kennedy / / Blog


This week at the SFF Seven, we’re talking about Managing Word Count. Do we rewrite to hit a certain number? Do we have a chapter/scene word allotment?

So, a lot of you know that one of my nicknames is the Meticulous Volcano. This comes from me being born on the Leo/Virgo cusp, which a friend informed me makes me a meticulous volcano and they’re not wrong. I really am half and half – and this shows up in many ways. Yes, I have the passionate Leo nature, but I’m also the detail-oriented lover of spreadsheets. In my writing, this manifests in my total, far-end gardener/pantser/write for discovery process, which I track down to the tiniest detail, with charts.

Do I have a chapter/scene word allotment? Yes, I do. It varies from book to book – something I land on intuitively – with some books and series running to longer chapters and some to shorter. The shortest chapters, which creates a brisker pace, are generally about 6-7 pages long, or about 1,700 words. Longer chapters give a more epic feel, a more luxurious pace, and can be as long as 23 pages (my record) and about 7K words long. On average, however, I keep longer chapters to around 16 pages or 4,500 words.

For scenes, I follow the 3-Act 8-scene structure, which looks like this:

Act 1 Scene 1 12.5% Initial set-up, establishing shot, life before
Act 1 climax Scene 2 25.0% All stakes are set
Act 2 Scene 3 37.5%
Midpoint Scene 4 50.0% Midpoint pivot
Scene 5 62.5%
Act 2 climax Scene 6 75.0% All is lost
Scene 7 87.5% often the same as Act III climax
Act 3 climax 90.0% Final climax
Scene 8 100.0% Denouement, life after

Mostly I use this structure as a series of guideposts, to know where I am as I write the book, which is always linear, from beginning to end. And this helps me to predict when I’ll finish. Once I have Scene 1 complete, I can predict the final word count (8 times the word count of Scene 1). This number is solidified once I have Act 1 in place. Generally my books are 85K – 120K words long, so how long the individual segments are varies from about 11K to 15K words.

In truth, “segment” is probably a better word than “scene,” as applies to my novels. This structure is from screenwriting, so scenes can be more or less a single sequence. For me, a scene in this context is a contiguous segment of the story, one where a particular mini-arc is begun and completed.

As for rewriting to tighten the shape? Sometimes I do that. Usually not. I often worry that some segment will bulge out and need trimming, but it usually is fine by the end. Sometimes I break up chapters or trim parts that go on too long. Mostly I let the numbers be a loose guideline and I decided intuitively how to edit.

 

Analyzing Genre Expectations

Jeffe Kennedy / / Blog

I just returned from WisCon, which was a delightful, warm, sort-of summer-camp version of a con. I had a great time. I also got to visit the farmer’s market and get a wonderful jump start on spring.

Our topic at the SFF Seven this week is: How to analyze genre expectations for your genre.

You know, I have one answer to this question, which is pretty much the same as what KAK said yesterday: READ.

I feel like people are often looking for the shortcuts in this business. And certainly there are the shovel-salesmen eager to sell the gold-miners the newest-fangled device that will make their job SO MUCH EASIER. So, sure – there are tools and surveys out there that purport to analyze trends and bullet-point the expectations of the hot genres.

But nothing substitutes for reading. And reading what’s current, as well as the canon the new stuff builds upon. Genre and the expectations readers bring to their reading are fluid and ever changing. I once advised an aspiring author – a woman who’d been very well published 20 years before, had a life-lull, and was looking to get back into it – who hadn’t read anything published in her genre in the last couple of decades. She couldn’t understand the feedback she was getting from agents and editors because her reading lens was calibrated to what amounted to ancient history genre-wise.

Also, reading refills the creative well. All writers begin as readers first. (At least, I hope so. A writer who doesn’t love reading seems to me like a fish who swims but doesn’t like water.) If you don’t have time to read, make the time. Replace watching shows or scrolling on your phone with READING. You don’t have to finish everything you read (I certainly don’t), but you should read at least some of what’s popular and what your readers are reading.

Did I mention read? Yeah: do that.

Resisting the New Shiny: How to Decide What to Write Next

Jeffe Kennedy / / Blog

I’ve just returned from Nebula Conference and this moment was a highlight: the photograph of SFWA past-presidents in attendance. From left is Gay Haldeman, SFWA Ombudsman; Joe Haldeman, SFWA Grandmaster and past-president; Michael Capobianco, past-president; Karen Silverberg, novelist; Robert Silverberg, SFWA Grandmaster and past-president; and lil’ ol’ me. Quite a heady experience!

This week at the SFF Seven, we’re talking about the Picking and Choosing—how do you decide which idea to write?

This is the eternal question, with many factors affecting the answer.

Some factors are practical, especially if you make your living as a writer, as I do. To keep that income flowing, I have to think about the next book in the series – both for the sales and to keep my readers happy – and I have to look at what’s selling best for me. Likewise, in working with my agent – the fabulous Sarah Younger at Nancy Yost Literary Agency – I coordinate with her on what she thinks she can sell for me, along with her schedule, balancing me with her other clients on reading, editing, etc.

Then there’s the creative side…

As we develop as writers, one of the primary skills and disciplines we must learn is how to *finish* a work. There are a lot of would-be authors out there with a few to dozens of unfinished manuscripts. It’s a thing and you HAVE to learn to overcome it. A big piece of learning to finish a work is setting aside the New Shinies – the ideas that turn up, alluring as fae lights in the darkness, luring the unwary writer into a merry chase that leads nowhere. By the time the writer returns from the wild pursuit of flickering delight, their work in progress has aged and they have nothing to show for their efforts.

Then again…

Sometimes an idea descends and demands to be written. It’s only happened to me a few times, but it’s happened recently and – though I have lot practice, skill, and discipline at resisting the siren song of the New Shiny – I finally capitulated to writing it. We’ll see what happens.

 

The Business of Writing

Jeffe Kennedy / / Blog

This week at the SFF Seven, we’re talking the business side of being a writer.

In our fantasies of being famous and beloved authors, we envision many things: bucolic writing sessions, romantic candlelit garrets with wine- and quill-strewn desks, celebrations with adoring fans, bookstore windows filled with our bestseller. (What’s yours? I’d love to know!) We (or, at least, I didn’t) don’t picture ourselves slaving at the computer, going cross-eyed over royalty statements or struggling to ramp up on the newest social media trend.

Many of us creatives don’t love the business side of being a writer. I mean, there’s a reason we took literature, theater, and art classes in college instead of Economics, and that we only knew where the business school was because we occasionally had to meet one of our friends there. With a few exceptions, as creatives, business is not our favorite learn.

But we have to learn to do it and we have to learn to do it WELL.

If we don’t, people will take advantage of us and, believe me, there are plenty lined up to do just that. There are ample cautionary tales of authors handing over the business aspects of their careers to someone else and losing everything. Even if it doesn’t go that badly, we run the risk of making foolish choices out of ignorance.

How much time do I spend on the business aspect of my writing life? A lot. At least as much time as I spend actually writing, possibly even twice as much, or even three times. Because I’m a hybrid author, self-publishing my books counts as me running a small, highly exclusive publishing company. It takes hours every day. On the trad publishing side, even though I have an agent who is amazing and efficient, I still have to spend a fair amount of time on back and forth with her – all business. And then there’s conventions and conferences, which are basically all business. Chatting with my author friends is fun and social, but also? Business.

The way I see it, since I write full-time and have no other job, anything I spend my time on that isn’t drafting or editing words counts as business. I take it very seriously.

Advice for Writers: Combatting Boredom

Jeffe Kennedy / / Blog

Our topic at the SFF Seven this week is somewhat cryptic, at least how it’s noted on our calendar: Long books – how not to get bored.

It’s not entirely clear to me who’s attempting to avoid boredom here. The writer? The reader?

Hopefully not the reader! Most of us readers who love to read long books are totally in it for the long, for the full immersion into another world, living other lives. I suspect the principles for writing a long book that won’t bore readers are the same as writing *anything* at all. We never want to bore readers.

So, I’m going to assume we’re asking about getting bored writing long books. How to avoid that?

You can’t.

Sorry, but… sometimes writing is boring. Sometimes it’s fun. Sometimes it’s agonizing. Writing novels, especially very long ones, requires a particular skill set of paying attention to, and working incrementally on, a work that takes a very long time to complete.

The whole point is not to try to avoid boredom with the process. The point is to revise your expectations.

Writing is work. This is why there are so many people who SAY they always wanted to write a novel and such a vanishingly smaller percentage who have. An even smaller percentage of that subset ever write more than six books. It’s hard work and there’s a reason we distinguish work from fun. Writing may be occasionally fun, but it’s always work.

What’s important to keep in mind is that the experience of writing is not the experience of reading. Don’t conflate the two. One of my least favorite pieces of “writing advice” is the saw that “if the writer is bored writing it, the reader will be bored reading it.”

NOT TRUE.

Writing takes vastly longer than reading. Every one of us who has spent months writing a book that releases at midnight and then wakes up to comments from readers who read it overnight understands this truth viscerally. Writing a novel, especially a long novel, requires patience and attention over a long span of time.

So: don’t worry about finding ways to not get bored while writing long works. Accept that boredom is part of the process. It’s part of the price we pay.

 

One Piece of Advice for Aspiring Authors

Jeffe Kennedy / / Blog, Podcast

Figure out what your process is and own it.
See, the point is that every single creator has the0ir own creative process. It’s as individual as retinal patterns. While it can be helpful to take classes on writing processes and techniques, to learn from other authors, in the end we all find that our process is unique to us. I’ve seen SO MANY writers struggle to change their process and try to “make it be” something or other, to no avail. The whole point of learning various techniques is to triangulate on what works for you. It can be a long and iterative process, but that’s the “magic formula.” Figure out what your process is and own it. Don’t try to make your process be something other than what it is, even if you are occasionally frustrated by it. (I often am by mine!)
Like learning to love yourself, learn to embrace your process. Own it. It’s yours.

Serendipity and Success – Acknowledging the Reality

Jeffe Kennedy / / Blog

A lil reminder that my FALLING UNDER trilogy is now re-released and on Kindle Unlimited! These books are NOT fantasy, but are contemporary erotic romance. If that’s the kind of thing you like, then you may like these!

Our topic at the SFF Seven this week is hard work vs. luck as applies to authorial success.

One of my least favorite pieces of advice from successful authors is when they declare something along the lines of “Just write a good book!” This happens a lot with debut authors, happily reveling in the out-of-the-gate success of their first effort. I say this because authors who’ve had lots of trunked books or only midlist success almost never say this.

Why?

Because they know that writing a good book isn’t enough.

Yes, writing a good book is key. Improving our craft as authors is critically important. That’s where the hard work comes in. At least, one kind of hard work, the foundational kind. If the books aren’t written and revised and polished to the best of our ability, there’s nothing to sell.

On the other hand… luck is a huge factor in publishing. It just IS. That’s why I roll my eyes at any successful author who fails to acknowledge the role of serendipity in their rise to (relative) fame and glory. As human beings – especially ones with egos sufficient to withstand the slings and arrows of creative life, which is rife with downs as well as ups – we like to credit ourselves with being awesome. Are we fortunate or are we just that good?

We’d all like to think we’re just that good.

The thing is, lots of creators are really good. And lots of good books go nowhere. Acknowledging the role of serendipity in success not only keeps us humble – remember that ego is the enemy! – but also should reassure us when things don’t go our way. Authors careers, as previously noted, are rife with ups and downs. We can’t control the luck. What we CAN do is work hard and put ourselves out there so the luck can find us.

Best of luck to you all!

 

 

Announcing My Mentoring Patreon! Also Health Insurance

Jeffe Kennedy / / Blog

Exciting news! I’ve officially opened my Patreon: Jeffe’s Closet, A Mentoring Community for Newbie, Intermediate, & Expert Authors. The Patreon leads directly to a Discord community where all kinds of conversations will occur. I’m super excited to make this into a vibrant community. Right now the Discord is open, but pretty quiet – which means you’ll get a lot of personal attention from me. Come and join in!

As far as our topic this week, what we do for health insurance, I self-insure. As a full-time author, I have no employer to provide me with health insurance (or other benefits). My husband took early retirement from his career and was insured through them for quite some time, though each year the premium was sucking up more and more of his retirement stipend. Soon we were going to have to pay in – ugh! Then the concierge health insurance service became available through SFWA (Science Fiction and Fantasy Writers Association). SFWA collaborated with other writers’ organizations to make this service available to our members. I was able to transfer my husband onto insurance via the Affordable Care Marketplace – and both of us together ended up paying over $1K LESS EVERY MONTH. I’m a fan! Thank you, Obama – seriously.

My Favorite Phantom

Jeffe Kennedy / / Blog

I’ll be at the Willamette Writers Conference In August! I’ll be teaching a workshop and giving manuscript critiques. I’m not sure yet if I’ll be in person or online, but I’m hoping for the former!

This week at the SFF Seven, we’re discussing which fictional villain we’d totally write a redemption arc for if copyright and trademarks weren’t a thing.

You know, I did this once before – although I was in the clear legally, as the original work had just moved into common domain. My villain? The phantom from The Phantom of the Opera. I don’t know know that I redeemed him, but – SPOILER – I did ensure that the heroine picked the correct guy!

My version is called MASTER OF THE OPERA, and is a contemporary, erotic retelling of the old phantom tale as written by Gaston Leroux. I set it at the Santa Fe Opera house, so it has more of a Southwestern mystical vibe than the Parisian opera house of the original stories. I won’t post the cover(s) here. There are a number of them, as the book was originally published as a serialized ebook, and so had six different covers. Then it was published in print as a single edition with a different cover. Salient and recent good news: I received word that my publisher plans to put a new cover on the book and repackage it! So, stay tuned for that re-release. I’m super excited to see this new cover and a new bounce for this book and my sexy villain.

 

ROGUE FAMILIAR Delayed (Again) – But Not as Much as You Think!

Jeffe Kennedy / / Blog, News

Our topic at the SFF Seven this week is Artificial Intelligence (AI) and what’s going on there with the creative professions. I have Opinions, which boil down to my conviction that nothing can replace human creativity. But a lot of very smart people have written on the topic and SFWA has been collating those. Go read those excellent articles.

For my part, I’m trying to get ROGUE FAMILIAR written. I’ve passed 60K words and I’m closing in on the Act II Climax. I’m getting there! But I’m not there yet. No way can I make a March release date. So I’ve pushed the release back. Amazon will tell you the new release date is April 24, but that’s a handy lie. That’s just the farthest date I could push to, just in case. I’m guessing it will be more like April 7 or 10. I can always release early! I know you all are patient and supportive, so I don’t need to apologize. (But I feel I do.) Anyway, I’m working away on this!

No AI involved.