First Cup of Coffee – October 27, 2023

Battling the proliferation of secondary characters, and why that’s key to shorter works. Shipping Alex and Paul on The Morning Show and ruminations on love and unconditional support.



Synopses – the Pain Never Ends

Our topic at the SFF Seven this week is “Queries & Synopses: Bane, Benefit, or Both?”

Besides all of us immediately screeching BANE – because all sane human beings hate writing synopses – I’m here to tell you to learn to, if not love, then at least bear with them. Being able to write a decent synopsis is a critical skill for a writer, even indies. Same with queries. Come on over to find out why. 

Magical Pantsing and Finding Your Creative Flow

I put up my Halloween decorations yesterday – and brought in the hummingbird feeders at the same time. That felt like a symmetrical seasonal changeover, all happening in the due course of the seasons.

So, on Monday, in a fit of frustrated eye-rolling, I fired off this tweet:

To my vast surprise, this tweet has received SO MANY likes and responses. Clearly I wasn’t the only one feeling this frustration. Quite a few people wrote back about feeling the pressure to learn to pre-plot. I’ve felt it, too. There’s a strong opinion in the writing community – and maybe in the world at large – that outlining and pre-plotting is the best way to write. That it’s faster, more organized, requires less revision later.

The thing is: it’s just not true.

I mean, sure for some people, that process works. It’s certainly the one we’re taught in school (for the most part). But I was the student who hated trying to write an outline before I wrote the paper. I tried, but it was agonizing. Finally I figured out to just write the paper, then make an outline from it, and turn that in. If the teacher or professor had comments or tweaks (which almost never happened), I could add them in. Though those were the days before word processing, so I’d have to retype the paper. STILL, doing it that way was faster for me, and produced better work.

This is key: we must find what works for each of us individually and honor that process. Those people who insist that we not only CAN learn a “better” way, but *should* – and I can vouch that a few people popped into my timeline to say things like “No offense, but you have to learn this if you want to sell books” – are not being helpful. (Also, I really think that if you feel compelled to start a reply with “No offense, but…” or “Honestly…” then maybe you’re not engaging in a  positive way.)

But “Pantsing” – derived from the phrase “fly by the seat of your pants,” and not my favorite descriptor by a long shot – is a way to access creative flow. I prefer to call it Writing for Discovery or Gardening. (I talked about this more on yesterday’s podcast, but for those who don’t listen, I’m reiterating a bit here.) For me, getting into the trance of writing opens up portals to other places, and the story flows in from there. “Gardening” is an analogy with a similar feel, where the beginning of the story is all planting seeds, the middle is nourishing the garden, and the ending is when it blossoms – and you discover what you’ve got.

Writing this way is absolutely an act of faith. It requires giving up conscious control of the story, which feels most uncomfortable to many people. It’s really the opposite of the academically taught methods, which focus on a cerebral approach. Sure, I get that many of my author friends access creative and subconscious flow in pre-plotting a story and writing the outline. Sadly, those conscious brain activities open no portals for me.

Several responders made the point that perhaps more pre-plotting and story-planning classes are taught because those methods *are* eminently more teachable. Which is a super valid point. In some ways, teaching someone to give up control and leap into the creative flow is nearly impossible. It’s so individual.

BUT, I think we can teach that this is an absolutely viable – and magical – way to access stories. We can make it clear that many, many authors who sell books (myself included) write this way. And we can talk about ways to open those portals, and how to keep them open. Also: not to panic.

So, I think I’m going to try this. I’m seeing about setting up a class. I’m also considering podcasting daily during NaNoWriMo with tips on pantsing your way through the month-long challenge. (There is, apparently, a podcast version called NaPodPoMo.) I’m also considering getting the author coaching set up and providing personalized support for writers during NaNoWriMo. If any of these ideas sound good to you, please let me know!

 

How to Talk to Authors at Parties*

This slightly sodden morning glory was the last before the freeze, so I had to take a pic. Until next season, tender flowers!

So, last week I was at the nail salon. I go every-other week and see Ruby, who is a Mani/Pedi Goddess. I’ve been seeing her for two years now, so we know each other fairly well. She was asking me about Halloween and my plans – and I said I had Costume Pressure this year. I’ve been invited to a Big Shindig, hosted by George R.R. Martin’s assistant. Lots of Science Fiction and Fantasy types will be there.

Ruby asked if I didn’t have costume ideas, and I said sure, I could put something together, but I don’t really do Cosplay the way a lot of these people will be. A client of one of the other gals, overhearing, turns to me and says:

“Just go as one of George R.R. Martin’s characters. From what I’ve seen, all you’d have to do is roll around in the dirt!” And she cackles at her wit.

“I doubt George would find the humor in that,” I say, imagining the scene where I, a greatly junior author, turn up in dirt-covered rags and cheerfully announced to George that I’m Arya Stark. No no no.

Other Lady: Oh no – I’ve met George R.R. Martin and he has a *great* sense of humor!

Me: Yes, he does, but not so much about Game of Thrones.

Other Lady: That’s not true! When I met him at a party, my daughter wanted me to ask him to stop killing off his characters. So, since it was important to her, I did. I marched right up to him and I said “my daughter wants me to ask you to stop killing off his characters.” And he laughed!

Me: ~cringes in chair~

Other Lady: And do you know what he said? He said, “Tell her not to worry because I’ve got plenty more where those came from.” Isn’t that just too funny??

Me: ~nods politely~

Other Lady: So see – he *does* have a sense of humor about Game of Thrones. So you should just go covered in dirt, say you’re one of his characters, and he’ll think it’s funny.

Me: I’ll keep that in mind.

***

It occurred to me to share this story, because I get asked a lot about Dos and Don’ts when meeting favorite authors. Is it okay to ask them to sign a book? Will they get mad if I ask when the sequel is coming? That sort of thing.

My usual advice is that most authors LOVE to meet readers and are happy to sign books and talk about them. I really love to hear which characters or stories are favorites and why. And sure, authors hear a lot of the same questions, but that’s generally okay. We also have standard answers for them. Good on George for being able to laugh as he delivered his standard answer to something he hears All The Freaking Time. 

It totally amazed me that this lady could be so tone deaf that she had no sense of that – or how her dismissal of his characters as all covered in dirt wouldn’t be insulting. 

So, how do you talk to authors at parties – or anywhere, really? Like you talk to any human being. With kindness and consideration. 

 

*with apologies to Neil Gaiman’s “How to Talk to Girls at Parties”

You Know You Want It

Talavera Jack O'LanternOne of the great things about living where I do – in Santa Fe, New Mexico – is all the fabulous and fun arts. Including these wonderful Talavera Jack O’Lanterns. Talavera is this particular style of ceramic glaze, introduced to Mexico by the Spanish Moors. It’s one of my favorite styles and the first time I saw a Talavera Jack O’Lantern, I snapped it up. And bought one for my mother, too.

This year, I decided to buy one for you guys.

I’m giving it away to one of my newsletter subscribers. (Okay, yes – this isn’t ENTIRELY selfless on my part.) The first newsletter goes out this Friday, October 31. Sign up by Thursday, October 30, Midnight Eastern Time, and you’ll be automatically entered in the drawing! The sign-up form is on the right hand side of my home page. This newsletter will also contain a free prequel story to The Twelve Kingdoms, previously only available in an anthology.

BETTER THAN CANDY CORN.

(Okay, for those of you who hate candy corn, that’s not saying much, but you get the concept.)

Also, only a few days remain to get a free copy of The Tears of the Rose from my fabulous publisher via Goodreads. That giveaway ends October 30, also. So many things drawing to a close as the Veil thins…

*tosses candy corn into the air in celebratory style*