Authors Interacting with Reviewers

Figs by Kathryn GreenwoodMy post on Tuesday, about friends who are also competitors, sparked more conversation than I expected – both in comments here and in other social media venues. It struck a chord with people, that we find ourselves in competition with the people who understand us best. I’m beginning to think that the concept of being in competition is what’s not real. Maybe that’s why we trip over it.

As I was mulling over these various comments, I saw that Elisabeth Lane over at Cooking Up Romance, put up this post, exploring her ideas about reviewing critically versus celebrating her love of the story. I became aware of Elisabeth and her blog when she tweeted about preparing the food for this review of my book, Ruby. I loved what she did so much, that I blogged about it, on the topic of sharing creativity. As I mention in that post, seeing something I imagined become an actual meal that she created was hugely satisfying and fun for me. We’ve since become friends and even met in person.

(She also did an unholy amazing take on the cannoli from Under His Touch – you have to see it!)

At any rate, Elisbeth’s post is about reevaluating her purpose for her blog, weighing the outside pressure she feels to be an objective, even critical reviewer of books against her initial concept, which was to celebrate the books she loves and do that by taking the food elements in them one step further and making them real. I really understand what she’s getting at because this is the aspect of writing and hearing feedback from readers that I love, too – this kind of communication and collaboration over something that lights us both up.

On one of my author loops, a newish writer asked about responding to reviews. This discussion comes up All The Time. There are certain reviewers in the community who are adamant – and have impressed this “rule” upon many writers – that authors should NEVER respond to reviews. They feel it creates a chilling effect on open discussion and that reviews exist solely for the reader and are off-limits to the writer. I can see the point there, particularly when writers want to argue the reader’s interpretation. (Just… no. Let it go. Once it’s published, it’s no longer solely ours.) However, what this prohibition does is kill one of the best, most exciting aspects of this art. An author writes largely in solitude and the reader absorbs the story in much the same way. It’s only then, when the reader feeds back to the author, that there can be real exchange. And it’s glorious.

I don’t think it’s fair – or even beneficial – to ask authors and readers both to forgo that profoundly exciting communication. That’s what art is about, the flow of ideas.

The photo above was taken by a longtime friend, all the way back to high school, Kathryn Greenwood Andrews. She sent it to me for Christmas, with a note that she picked figs for me because they’re the most sensual fruit. This is another kind of artistic feedback loop – that she offers to me her image that reflects the stories I tell. It’s hugely meaningful to me.

I suppose some would parse this dilemma by saying that authors should limit interaction to readers, and draw the line at actual reviewers. However, as Elisabeth points out, she wants to review the books – but only the ones she loves and wants to gush about. As with the idea that authors must compete with each other, I think the idea that a blogger must review critically and “objectively” is a false construct.

Of course, I really want Elisabeth to keep giving me culinary advice for my stories and then making the meals come true. The best kind of creative friendship.

Bobby Cooking Love and Getting Sucked In to Going Under

ruby-scallops-three-ways-labelI mentioned the other day that the delightful Elisabeth Lane planned to recreate Bobby Prejean’s seared scallops from Ruby on her Cooking Up Romance blog. It’s up today. It’s just so amazing to see these recipes. Yes, I totally want to make them.

I also love that she gets Bobby – everything about him, from his controlling ways, to his need to feed people to his marshmallow heart. Yes, yes, yes.

 Over at the Contemporary Romance Cafe today, I’m talking about my upcoming NEW erotic romance release, Going Under. There may be an excerpt for you all there. 🙂

If you’re in the U.S., Happy Independence Day and long weekend! (If you’re in Canada, we know you people just took the entire week off – you can’t fool us.)

On Monsoon Rains and Sharing Creativity

monsoon trackingEvery morning when I start up my internet browser, the 10-Day Weather Forecast is one of the tabs that opens. This time of year I watch it very closely, hoping for the monsoon rains to start.

If you’re not familiar with the desert southwest, the monsoon rains are pivotal for us. If we’re lucky, they start in late June and then continue through August. It’s our wettest season – a relative term for most of you – and one we depend on to save us from becoming as barren as the Sahara. As the spring heats up, we dry out. June is hot, dry and windy. It’s not the gentle onset to summer that so many parts of the country have. It’s scorching. It’s when the fires start.

So, we anticipate the monsoons, hoping and praying for the cooling, drenching rain to arrive. In monsoon season, we have bright sunny mornings, clouds roll in by noon, heavy rain until about 4 or 5 pm, and then clear, cool evenings. I’ve learned that the monsoon’s begin when the dew point – the green line in the top graph above – meets or crosses the temperature, the red line. Sure enough, next week that green line finally rises up near that red line and – oh look! – RAIN.

It feels like a miracle poised to occur. A joyful, life-giving one that everyone can share in.

In what feels like a parallel to me, yesterday I talked on Twitter with this gal, Elizabeth Lane. She tweeted:

 

Now, she had mentioned something along these lines before. Other people have made similar comments about Ruby, because the hero is a chef at a five-star restaurant in New Orleans. I get little notes along the lines of “Tell Bobby Prejean to make me a sandwich!” fairly frequently. Or they make noises about recreating a certain chocolate fondu scene. *ahem* I figured Elisabeth meant something similar, but when I saw this yesterday, I asked if she really meant it. She replied:

 

So, a bit chagrined, I went and looked at her website.

 OMG you guys! You have to look at what she’s doing. She reads romance novels and picks out certain meals to recreate and then blog about. I may be in love. Once I (belatedly, yes, I know) figured this out, I had to go back to Ruby to figure out which meal she’s doing. After all, there are A LOT in that particular story, as I’m sure you can imagine. Besides, if she was talking mango and cilantro, that was NOT the chocolate fondu scene. Instead it’s this one:

A small table in the corner under draping vines awaited her, lit with candles. A stand held a silver champagne bucket, and the maitre d’ poured a glass for her. The label was French and looked old, not one she recognized. The wine evaporated on her tongue, the sublime effervescence filling her head.

If she didn’t know better, she’d think she was being courted.

Course after course arrived, thoughtful, perfect presentations of the most succulent food she’d ever tasted, all on small plates. She began to feel like a pampered pet, coaxed into trying just a bit more. A popover, lighter than air, a hint of honey-butter perfuming it. A single oyster on the half shell, presented with a subtle sage breading that reminded her of Thanksgiving. Three sea scallops, sautéed to perfection, sweetly juicy and served each in a pool of its own sauce—one a piquant cilantro, the next a peppered mango and the final one a variation on the barely bitter chocolate he’d served that morning, strangely perfect with the salty counterpoint.

She inhaled the Caesar salad—the dressing exquisite, the anchovies aged in a smoky oil. When the waiter reverently laid the main course before her, a perfectly golden mini-soufflé of crab and nine aged cheeses, she heard a woman at the next table inquire about it, only to be told it was reserved for special customers. A heart carved into the crust, inlaid with a brush of cinnamon, confirmed it.

Prejean finally joined her, as she finished the soufflé. He gave her plate a long look and raised his eyebrows, the gold hoop winking. “Any good?”

Elisabeth says she’s focusing on the sea scalllops. Then the best part for me is, when someone else asked when this would go up, she said:



Do you see? She’s INVENTING the recipe from my story! Because, well, she pretty much had to, since I totally made it up. Some of the meals in this story are ones I’ve had in New Orleans restaurants or elsewhere. Others are ones I looked up. Some are ones I fabricated because they sounded delicious and sensual to me. And now Elisabeth is making it real, in a different way than I made it real. It’s like that rising dew point, that passes a certain threshold and makes it rain.

Finally, speaking of blessings from above and turning points, that starred Library Journal Review for The Mark of the Tala is finally available online, I love, love, love this review! Here it is:

OrangeReviewStar de Castell’s Debut of the Month, Romantic Fantasy from Kennedy, Zombie Horror, & More  | SF/Fantasy ReviewsKennedy, Jeffe. The Mark of the Tala. Kensington. (Twelve Kingdoms, Bk. 1). Jun. 2014. 338p. ISBN 9780758294432. pap. $15; ebk. ISBN 9780758294449. FANTASY

markofthetala062714 de Castell’s Debut of the Month, Romantic Fantasy from Kennedy, Zombie Horror, & More  | SF/Fantasy ReviewsAs the middle daughter of the High King, Andi isn’t the warrior (that’s older sister ­Ursula) or the beautiful one (younger sister Amelia has that sewn up), but she does have a distinct tie to her mother’s people, the Tala, that might change the balance of power in the realm. No one in the Twelve Kingdoms speaks of the dead queen or the Tala, so when Andi, while out riding, meets the mysterious Rayfe, she is stunned to find out that he is king of the Tala and that she is destined to be his queen. ­VERDICT The fairy-tale setup only hints at the depth of worldbuilding at work in this debut series. What could be clichéd is instead moving as Andi is torn between duty to her father and the pull of Rayfe and his kingdom. Andi starts out passive, in the shadows, and insecure but experiences great growth as the story develops. This well-written and swooningly romantic fantasy will appeal to fans of Juliet Marillier’s “Sevenwaters” series or Robin McKinley’s The Hero and the Crown.

 

And it’s going to rain. Life is pretty wonderful. Happy weekend, everyone!